This series of vignette assemblages, miniature versions of my large-scale, hanging, photo-based sculpture, act as re-formations of street scenes or what might be hidden in alleyways. On the wall, these sculptures act like floating pages of pop-up books for our built environment and reveal their distortion and magic in bite-sizes. I liken the scale of each of these sculptures to appendage architectural objects of the streets—mailboxes, flyers stapled to telephone poles, fire hydrants, electrical panel covers—that add varieties of scale and material to the concrete environment. Like these infrastructural objects, the sculptures represent our systems which, in theory, are supposed to serve everyone, but, more often, actually reinforce our divisions by reflecting omnipresent hierarchies.